Donnerstag, 28. April 2011

Massive update: new podcast, battlelord concepts, screenshots and papercraft revealed

Download the new podcast


April 27, 2011
ELIZABETH: Welcome to the fourth episode of the Duke Nukem Forever podcast series. I’m Elizabeth Tobey, and today I’m with some of the guys from Triptych to talk about what goes in to making the atmosphere in DNF. Through art, level design, and an array of different audio tricks, these guys bring their version of Vegas to life.
ERIC: My name is Eric Von Rothkirch and I’m Audio Director at Triptych Games.
BRAD: My name is Brad Jacobs and I’m a Level Designer here at Triptych Games.
ANDREW: My name is Andrew Baker and I’m a Level Designer here at Triptych Games.
CHRIS D: My name is Chris DeSimone and I’m a CG artist at Triptych Games.
ELIZABETH: For today’s podcast we’re talking about atmosphere and location and everything that goes in to making the world of DNF believable. So let’s start with the broad and obvious. Where does Duke Nukem Forever take place and why did you choose to put it there?
CHRIS FAYLOR: The answer here is Vegas, by the way.
CHRIS D: The game Duke Nukem takes place in a variety of locations but mainly Vegas is the backdrop for the game and that’s something that was decided a long time ago, before my time; back when they first started in ’97.
ELIZABETH: More than just the where of the game, could you talk about when it takes place and sort of the liberties that you took with that “when”?
ERIC: It’s always been kind of a “near future” not really a specific time, but near future.
BRAD: I think it’s more specifically 12 years since the last game; so it’s kind of an alternate universe thing.
ANDREW: Absolutely. It takes place after Duke 3D. It is sort of a sequel. So you imagine the world of Duke 3D which is kind of an alternate United States---imagine what’s happened in 10-15 years, since then.
BRAD: Yeah.
ELIZABETH: So on a more granular level, can you talk more about some of the locations and places that you’ll see in Duke Nukem Forever and why did you decide to build out those spaces? Now I’m not just going individual levels or maps, but also indoor versus outdoor and how that really translates to the mood and also to the game play.
CHRIS D: Well, like I said before there are several different locations and mainly one of them is Vegas and of course if you’re in Vegas, you want to see a casino. And of course, in our game, Duke owns a casino so you’ll get to see what kind of a casino Duke would actually own. As well you’ll also get to see the outside and there was actually a little bit of fighting going on between what to show as far as the exterior of Vegas: should it be at night or should it be during the day? And we felt it actually looked better during the day because we could get better results from the way it looked ‘cause at night you just don’t see as much. And I know that people want to see Vegas at night, but we kind of went the other route with that. And then we also have a lot of terrain maps as well as the Hoover Dam, which of course you know is near Vegas. There’s also, I don’t know if I can say it-- there’s also kind of like an alien environment which the gamer will eventually see. I’m not going to reveal too much.
ANDREW: I know one thing I wanted to add real quick was as well as Duke’s casino, you get to see other Duke themed businesses and projects throughout the game—and I don’t want to give anything away but you go to a couple of other places that Duke may or may not be involved with his franchises and projects which were pretty interesting and cool.
CHRIS F: What I thought was interesting is that those aren’t just---well obviously the brands and franchises are made up---but the locations and even most of Vegas in the game is based on real world Vegas and then just flipped, like “what if Duke really owned Vegas?” Because he saved the world and became such a phenomenon that he could do anything he wanted.
ANDREW: I remember a funny thing was that George [Broussard] goes to Vegas or went to Vegas a lot and he brought back a whole bunch of photos from the strip that helped a lot of people. Basically he cruised the streets in his Lamborghini and took photos for a while so it gave us a good basis for a lot of locations and backdrops.
CHRIS D: Yeah that was back in ’97 or ’98 but none of us were there. Al [Blum] was. Yeah and he actually took a lot of the guys who were working at 3D Realms to Vegas and they actually stayed at a bunch of the different casinos and took reference pictures.
ELIZABETH: Yeah I’ve seen pictures of people at the Hoover Dam too.
BRAD: Speaking about Vegas streets, going back to what you were saying about daytime, a lot of games do Vegas at night and us doing Vegas during the daytime not only made it fresher, but it shows off the war a lot better, during the daytime. It’s sort of like the morning after the worst Vegas party there could possibly be; it kind of has that vibe to it and I always thought that was really fitting to Duke.
ANDREW: The alien ship showed up and turned everybody into Pig Cops.
BRAD: Yeah, that kind of thing. It’s a bad thing, yeah.
ELIZABETH: People often focus on the look of the world, in general, and you know the concept art of the big vistas; but what makes the gaming world to me are the little details, the brands that you were talking about ---the sounds, either ambient or the noises you’re actually hearing during combat. How did you guys make that realistic yet fantastical? What did you aim for and what did you focus on when making every little detail that brought the world to life?
CHRIS D: I would say that it wasn’t exactly entirely planned. I mean there were parts where like with Vegas, you kind of knew what we wanted to do and in some instances they would kind of give---I’ll just give a for instance---like a task for you to do; like another casino.
ANDREW: Yep. We approached it from both directions. We had designers that would work kind of grey box basic designs up and then artists would try and bring those to life. But we also had artist do kind of 3D concept art for us and just build the places and then we’d look at it and say, “OK well you can cut this here so I can separate these here to make this modular” and then make levels from that and they both worked.
CHRIS F: And then that 3D concept art the artists made, that wasn’t just some guy that came off the street; that was someone who actually had a background in architecture.
ANDREW: Right, one of them, Andrew Kerschner.
BRAD: Speaking to the humor and the art, like I think a lot of the humor in the game; there’s so many hidden pieces of art to find that have little jokes on them, little labels to read. There’s just jokes everywhere. I think that process really worked to the game’s favor because you had all these artists that said, “Oh I really get to put jokes in everything?” So they would just sneak in jokes whenever they could and we would just be play testing our maps and find a new piece of art and find a new joke. It was just adding value to the game, all the time.
ERIC: Speaking to some of the character and the details, what you were talking about; the mixture between real world and more over the top stuff, audio-wise, that’s always been kind of a struggle and a fun challenge. Like say you have a desert environment. Out in the desert it’s arid and windy and things like that. You don’t want it to be too realistic; you want it to be comical with little elements, like the tumble weed blowing in the background and things like that: the classics.
ANDREW: Yeah, like cliché it up, which is a good thing.
ERIC: Yeah. You almost can’t go too original with the iconic stuff. You have to bring in elements that people recognize, so we tried to do that as much as possible throughout the levels, when designing the environments.
BRAD: That’s really helped the flavor in general, I’d say.
ELIZABETH: How about casting the characters and the voices, the sounds that you hear? There’s a lot beyond just Duke’s voice that you hear that adds to the mood of the game.
ERIC: There’s a lot of dialogue in the game. You mean the NPC’s? The NPC’s we cast a lot of them at Triptych and as it turns out some of the voices were the same voices that are in Borderlands, but we didn’t know that. We did not know that; didn’t plan that.
That was just a funny coincidence, and when Randy came and looked at the game the first time, he actually recognized some of the voices and said, “Oh, I know that voice.” That was pretty funny. We went with people who could or who were willing to go over the top and were comfortable going over the top. Some people turned us down saying “This is just too goofy” and that’s fine. So we ended up finding a lot of people who had more of a silly side and wanted to do more silly stuff in their acting. That ended up working out really well for the actors that we chose.
ELIZABETH: Going a little bit into the history of the game and the long dev cycle, how did the levels change over time---either as tech change or the direction of the game changed? Is there anything that stayed pretty consistent or do you have an example of anything wildly different?
BRAD: A lot of the overall game locations and concepts stayed the same. Like the overall idea that we want this type of environment, with these types of things in it stayed the same, more or less. But yeah, like how levels were built. Several different approaches were tried.
ERIC: The general progression was the same too---not to give too much away. You started out in Duke’s casino then went out into the environment and explored those. That has all remained consistent.
ANDREW: Yeah, it’s been pretty consistent for about 5-6 years. There haven’t been any huge tech changes since then. One of my first jobs in 2005 was to take levels that were built kind of in the 2000 era with a very brush oriented mentality and convert them into more static meshes and patch mesh art. That’s what I did for the first few months I was at the office, to literally take stuff that already existed and modernize it for a while. A lot of that was cut, though. That’s one thing too; the game’s gone through multiple cuts and moments where production would literally look at the game as a whole and then start over from the perspective of what’s going to have us wind up with the best game and plan out new cuts. We would pull levels apart and put them back together; more than once. And I think that’s helped the pacing and the feel of the game immensely.
CHRIS D: Yeah, the game was definitely huge in scope. There were a lot of levels and we kind of had to just pick certain ones that we really wanted in the game and say “OK, the rest we shouldn’t do because it would take forever to make it.”
BRAD: Or really just compromise the quality of the rest of the game and this game is about customization anyways. So in order to achieve the level of customization we have in our game, you have to at some point, become very focused on those locations only. Like speaking, the game is a more linear first person shooter. It’s not like an open world type game so it’s going to be more focused.
ELIZABETH: When you talk about customization, what do you mean?
BRAD: I mean there’s so many different surprises. So many of the games these days are set in a war. Our game is set in a war, but it’s an adventure in a war and that’s not very common anymore: adventure and first person shooters have kind of fallen by the wayside. There’s probably no better universe to have an adventure in than Duke’s universe and that allowed us to do a lot of things to surprise the player. I don’t want to give anything away but I mean almost every level has something that’s going to surprise you. There’s something funny, there’s something exciting, there’s something…there’s little to know just grinding through another combat sequence in our game. It’s very much like, “Oh here’s a twist here, here’s something new that happens here, here’s a funny scripted sequence, there’s something here.”
CHRIS D: That’s what I like about it. You know, you’re not being forced through the level. You can stop and look around and like you’re saying, you can interact with things. You’re not just getting from A to B and that’s it. I mean it is a little linear, but there’s little side shoots, little areas you can explore.
BRAD: Yeah and that ties in, like you said, to the interactive side of the game. Again, I can’t give anything away, but there are so many cool, interactive things in the game and no one really does that kind of thing anymore. We have a full blown, working pinball machine in game and it works exactly like a real pinball machine. It’s not a quick and dirty mini-game. It’s a full working pinball machine. It keeps your high score, it does everything.
ANDREW: Yeah and it’s not simulated. It uses the same physics as the rest of the game. That was really hard to actually get to work and there were moments when we were like, “Why don’t we just simulate this? We can’t really do it.” But we persevered and I think that’s how a lot of the elements in the game feel: united, together because they’re all from the same thing.
I was going to go really quickly to the technical side of customization. We’ve got a few things a few technologies in the level making process that are kind of unusual, I think for game development now; in that there are a lot of tools for the level designers to customize areas with blending textures from surface to surface. We have patch mesh tools which are very much like rudimentary modeling tools in the editor. They’re kind of like the, if people will remember, patches and patch meshes from id Software’s Quake, things like Quake 3 and things like that but five years on. What would it be like? What would those tools be like? And both the artists and level designers use that together. But I think that’s why the environments feel like they do is it’s not just a series of sets of static meshes and art that you’ve seen reused and repositioned. We tried to keep things unique. If not completely unique, at least one or two things you would note as being as new like “Oh I haven’t seen this yet” as you go through the game.
ELIZABETH: Thanks for listening to this episode of the Duke Nukem Forever podcast series. We’ll be back next time to explore aliens in DNF.


April 27, 2011
By now, you probably know the Battlelord very well (or his crotch, at the very least).

These are some early concepts of the Battlelord as the team tried to decide the look of his head.

And while not the final render, many of you will recognize this guy from trailers we’ve released in the past!

 New released screenshots


April 27, 2011
As you may know, we're including an exclusive papercraft Duke in the Balls of Steel edition. We've fielded several requests to see this figure - and today, we're unveiling what Duke will look like – right now, in fact!

Now, a sneak peak of the Balls of Steel papercraft is awesome, but we're all about instant gratification, so we've made an additional DNF papercraft that you can download and make now. Check it out:

Freitag, 22. April 2011

Face melting new DNF trailer


In this case hip hop was the perfect fit for this trailer! It blows my head off!

Mittwoch, 20. April 2011

Third DNF podcast and inside Duke Burger pics


Read the transcript (text)


April 20, 2011
Duke Nukem owns quite a bit of Vegas – including his own burger franchise, Duke Burger.

Unfortunately, Duke Burger is not spared during the alien invasion.

The Duke Nukem Forever teams explored both the interior and exterior designs of the burger joint, as evidenced by this concept image, to create the perfect background.

Freitag, 15. April 2011

Duke Nukem comic book revealed!

Duke Nukem: Glorious Bastard #1 Coming In July From IDW Publishing!

Appearing in a comic book for the first time, Duke Nukem is back, bigger and badder than ever!

Everyone who was into action gun games knows about Duke Nukem, and Duke Nukem is not letting anyone or anything stand in his way as he makes his way through the comic world.

Written by Tom Waltz (The A-Team: Shotgun Wedding), Duke Nukem: Glorious Bastard will be a fantastic series, with all the game's trademark humor and over-the-top violence. With this new series coming out, old fans and new will be coming out of the woodwork for new adventures of Duke Nukem!


Donnerstag, 7. April 2011

One podcast and one Duke sounds feature released!

- If you want to check out exclusive Duke sounds voiced by Jon St. John follow the link!

- Want to check out the first DNF podcast?! Go to the community section of or just read the transcript here!


April 6, 2011
ELIZABETH: Welcome to the first episode of the Duke Nukem Forever podcast series. I'm Elizabeth Tobey, and recently I spent several days down in Texas with members of the Gearbox and Triptych team, picking their brains about all things DNF. Today, we begin broadly, asking the question "Duke Who?" To many (I might even say most) of you, this question might be obvious - we're talking about Duke Nukem. But to some, the name "Duke Nukem" might be a new one - and it's time to give you a lesson on why that name is one you should never forget, and why Duke Nukem is awesome.
Today, I talk with Allen Blum, David Riegel, Eric Von Rothkirch and Kristen Haglund from Triptych as well as Chris Faylor from Gearbox.
ELIZABETH: So we're kicking off this podcast series by talking about who is Duke Nukem? Some of the people listening to this are probably die-hard Duke fans who know him inside and out and some of them are probably brand new to him. So can you take us through a quick history lesson of who Duke Nukem is?
ALLEN: Duke started back in 1990 with Duke 1. Duke was...
CHRIS: Duke was a bad ass.
ALLEN: Yeah Duke was a bad ass.
DAVID: I suppose in the early days, my perspective was that Duke was kind of the ultimate action hero without a whole lot of personality because of the limitations of the side scroller engine and what was going on at the time. And then Duke really came into his own in Duke 3D, when he started having a voice and a character--when technology made it possible for him to start interacting with the world; to put it the detail to create comedy and satire and the other things that make up the Duke game that people remember.
ELIZABETH: So moving on from Duke Nukem the man, let's talk about Duke Nukem Forever and again, I'm going to guess that most people listening here know what Duke Nukem Forever is so for the very few who may not....I know the story is super involved and it's not going to be something we can do in the span of this podcast, but what's the overview of where Duke Nukem Forever fits into the history of the franchise and the world.
ALLEN: Well in Duke 3D, Duke saved the world, killed the aliens and all of that and since then, he's basically been on vacation; exploring the world, doing his things, climbing Mt. Everest, going around the world,
CHRIS: Going into space...
ALLEN: Going into space...
KRISTEN: Winning the poker tournament.
ALLEN: So Duke's hanging out in this casino enjoying life in Vegas and the aliens return all peaceful and friendly—but they're not. Duke soon finds that out and off you go.
CHRIS: I like that one of the first things the aliens do is not to antagonize Duke, it's to line up at one of his many establishments.
KRISTEN: Well I mean even the aliens may not like Duke, but Duke's a great chef.
DAVID: One of the things about Duke's character that's kind of fascinating is that people remember the comedy from Duke 3D but internally I think at 3D Realms and after, we always pushed Duke on having Duke as kind of a serious character and I know that sounds very strange if you've played the earlier games. But we always pictured Duke as being kind of a serious guy in a world that's gone completely nuts when the aliens invade. So when we approached Duke Nukem Forever, even in the early days, we always had this vision that Duke was this guy who saved the world and we wanted to construct a world around him that was believable. So if you really had this guy who actually killed a bunch of aliens and saved the world, what would his life be like? Well he would be a billionaire playboy who owns his own casino and who is good at everything he does and is the most recognizable man in the world. So that creates the background for how we place him in Duke Nukem Forever and so even though he's kind of cool and confident and doesn't say very much, like the world around him is kind of this crazy establishment.
KRISTEN: Well I don't want people to get the impression that he's serious and he's cool and that he downplays his contribution---Duke is all ego and Duke is fully aware of how awesome he is and the world recognizes his awesomeness so you don't have this stereotypical humble hero. You've got this guys tha's like, "Well yes, I am awesome and thank you for building busts in my honor and worshipping me."
CHRIS: We're talking a lot about the world that Duke Nukem inhabits. There are some side characters to this; some characters that interact with him that totally define it. The Holsom Twins are somebody that are a pair that many will be familiar with from PAX. We've also got the president and some other characters. Can you speak about those?
DAVID: Well since Duke is probably the most powerful man in the world, at least from a celebrity standpoint, he's going to do what celebrities do and date lots of hot, young girls. So this kind of fits into that fantasy where the Holsom Twins are two twin sisters who are pop superstar divas and they worship Duke and the ground that he walks on. In one of the first scenes in the game, you're introduced to them as his quote-girlfriends-unquote...
KRISTEN: Babe of the moment...
DAVID: Yes, babe of the moment...
KRISTEN: Babes of the moment...
DAIVD: ...that accompany him through the first part of the game, so they have kind of an important role in the story since the aliens who want to disrupt Duke; if they can't get to him, then they'll go after the girls.
KRISTEN: Or women in general, because he's big on saving the babes. And then he's got... the president has a more political view on how the aliens should be dealt with and the aliens come bearing gifts and promises of peace. And of course the president does what all good politicians do, which is....politics....
CHRIS: Oh, I thought you were going to say screw up.
KRISTEN: I was trying to be politically correct. The president kind of shapes the course of how Duke is forced to deal with certain things and how certain events unfold and then while most of the EDF is questionable...
DAVID: For those who aren't familiar with the trailers and so forth of the game, the EDF are the Earth Defense Force which are the federal police force that was established after Duke 3D in order to protect the world from aliens. So they're an important soldier class in the game that you see a whole lot of.
KRISTEN: And there is one in particular that is an old buddy of Duke's. You can see why they get along, they go far back. That's one of my favorite characters.
ERIC: Yeah, Capt. Dillon.
KRISTEN: I love Dillon.
ERIC: The thing I always think about Dillon is how we were talking about what kind of language the characters would use and which would swear and which wouldn't and I think it was you Al that said couldn't we just focus that all on one character and have one character represent all the foul mouthed attitude?
KRISTEN: Yeah that was the idea. Because we had a lot of profanity peppered through the script and it was Al's idea to have one character be chosen as every third word was something profane or just vulgar and yeah, I would say Dillon is definitely....
DAVID: Well that's the thing when you're trying to incorporate comedy into an action script, whether you're talking about film or television or games is that you have to know when you're going too far. And I think that with the very early drafts of the script that we had some of the team felt we were going a little bit too far that it was a little bit too silly. So qe wanted to re-establish some of the serious characters in the beginning of the game, then we needed to have an exaggeration and we needed to focus the comedy in particular points. So we had this one character, who is Duke's friend who has a history with Duke according to the fiction of the game that you meet about two hours in and we just decided to focus all the profanity and exaggeration on him. It's pretty hilarious for people playing the game for the first time.
KRISTEN: Duke is a a man who deals with things seriously but it's hard to take him seriously and Dillon highlights that you can't take this too seriously and it's just hilarious.
CHRIS: I like to think that Dillon's just actually the result of Duke Nukem; like Duke got this fame and fortune for doing all these over the top things and Dillon saw it and was so influenced at a young age and said, "I'm going to join the army; I'm going to do all this" and he ends up meeting Duke and they hit it off because in a weird sense, Dillon is Duke.
KRISTEN: Yeah, I agree but I would think Dillon is the guy that misunderstood what Duke was going for.
ELIZABETH: Just missed the mark.
KRISTEN: Yeah, just missed the mark and took it too far. But he's funny anyway.
ELIZABETH: So by now, I think everyone can understand how storied and how infamous this game is and this franchise, so what do you want people to think or feel when they're playing the game? What were you guys aiming to achieve with Duke Nukem Forever? Simple question.
DAVID: Well we hoped it would cure all poverty and lead to world peace.
KRISTEN: A greater understanding between men and women about the real nature of men....
CHRIS: Yeah but leave disease for the next game, right?
ELIZABETH: You got to have a sequel for something.
ALLEN: Well Duke 3D everything was sprite based and flat; you could do a lot of stuff: we had strippers and everything but it was just all flat. You'd play it as Duke, it was 3D but it really wasn't and now that things are actually polygonal 3D you really get a feeling of being Duke, in the world, interacting with things doing stuff. You got cool strippers who enjoy it.
ERIC: Actual jiggling boobs...
ALLEN: And things...
KRISTEN: The stories behind the jiggling boobs...
DAVID: Twentieth century technology.
KRISTEN: Yeah. What did they do? They sent people to the moon with less than a calculator. These days, we've taken all that technology and we make boobs jiggle.
CHRIS: How many Apollo 13's do you think it would take to render one boob jiggle?
KRISTEN: I don't know, but the boob jiggling is really damn good.
CHRIS: I think that one of the things that a lot of people have missed out on or forgotten about the series is the focus on interactivity. I've heard some people describe it that it's almost like an adventure game with shooting, instead of a shooter as they're traditionally defined now. What do you have to say about that?
DAVID: I think that in terms of how to make Duke unique, over the years, I think that's really focused on two areas. The first, I think is obviously the character and the personality and the second element is of course the game play and one of the things that stands out in Duke is the interactivity. So whenever we're creating levels, it's not just about the combat and driving the story forward, it's also about populating the world with all these things that you can do with it and mess around with. And some of them have a direct influence on combat; like things that you can pick up and you can throw at enemies and kill them. Other things are kind of indirect; like ways that you can manipulate the world for fun or a system where Duke can build his ego by doing things in the world that are like manly and cool: like lifting weights and playing pinball and things like that. Then we have quest objects in the world and humor objects and just mini -games in general where you can go kill time if you want.
ERIC: I think that differentiates some of the elements that have survived over time too. We used to have more general, generic interactable objects and over time it was like "is picking up a pencil really, really Duke?" I mean being able to throw it around and do stuff. Or is it more of a cool thing to lift weights and do that kind of stuff. Just as two examples, that kind of thing.
CHRIS: I think what's really cool is like David, you were talking about doing general things; you can do things that affect the story. When you go and you encounter these situations, you don't actually know what's what. It's hard for a player to be like, "Oh this is just going to do something cool to the room it's not going to...I mean most people, there's a point in the game where you have to microwave popcorn. Let's come out and say it out: you have to microwave popcorn. So when that mechanic is introduced in an earlier mission, and it's completely optional, I don't think anybody's going to be like, "Oh yeah, I better learn how to do this now."
KRISTEN: Well I think one of the things that makes Duke reallyenjoyable from a player, I have somewhat of a technology background but never in video games and I strictly am familiar with Duke from a player perspective, is that one thing I like and have always liked about Duke is that all those things in the world feel like Easter eggs. So it feels like you're getting this cool thing you're not really supposed to have, and yet you're supposed to have it and I think that's what makes it very different from your standard "Oh I need this and clearly it's being presented to me for a purpose". You don't know: is it just some random thing I can do or do I actually need to learn this? And from a gamer point of view and not enjoying linear game play where you're lead around by the nose, I get to enjoy it. I really get to enjoy it without thinking why I should be enjoying it or why I should pay attention.
ELIZABETH: Now I know that we could go super in-depth and talk forever about all the things that make Duke Duke, but I think we'll leave that for the subsequent podcasts. But before we go, could you give an overview of the teams and the studios that have made Duke and are bringing him back to life now.
DAVID: Duke Nukem originated at 3D Realms of course. Allen Blum, George Broussard and Scott Miller and a lot of the early guys back in the day are really responsible for the core concept and the character and bringing the game to life in many ways. 3D Realms ceased development in 2009 and at that point Triptych games was formed by some ex-3D Realms employees and a few other people and we resumed development. We're still working on the game and doing content and a couple of multiplayer maps and optimization on some things to help out on consoles. Piranha Games has joined the party to help bring the game to consoles and doing a tremendous amount of engineering work in that respect and is also responsible for multiplayer with code and gameplay. Then Gearbox Software are the care takers of the franchise now and they're managing everything from a high level and have lent a tremendous amount of support on the engineering side, helping get the game out of the door, and also for QA and marketing.
And then all of us are working with 2K Games who is publishing and doing all the great things that are peripheral to the game: marketing, funding and getting the game ready for retail.
CHRIS: I think one neat thing about Duke Nukem is that not only has it gone through multiple developers, but multiple publishers as well. It was originally a GT Interactive game way back when. There was also a time when it was being produced under Gathering of Developers, God Games which was later acquired by Take-Two Interactive and was instrumental in the formation of 2K Games as a publishing label. I look at my 2K Games representative with a question mark there... [laughs]
There was even a time when Duke Nukem Forever was slated to make its debut as a digital download title for Triton, wasn't it?
ALLEN: Yeah, there was Triton briefly. I think Prey came out on that or was going to come out on it. That was something 3D Realms was trying.
KRISTEN: When you think about it, we have a friend who had a child in '97 or '98 and he is now an eighth grader and he wants to be a game developer. And I look at Jared and I'm like, "I remember when your mother was my roommate in college".
CHRIS: Somebody pointed out, when we launched the "Have You Worked on Duke" credit site looking for all the people, one of the articles pointed out that if you were born when Duke Nukem Forever was announced, you are now in high school. And it's
KRISTEN: Yeah, really trippy. Makes us feel a little old.
DAVID: Better be worth the wait.
KRISTEN: Well yeah. A whole new generation is now ready for Duke.
CHRIS: I like the idea of Duke showing the world what humor is, what good gameplay is and what it's all about, then disappearing, like stepping away for a little bit and watching things evolve and then coming back and saying "Nope you did it wrong."
KRISTEN: You see this? No don't do this.
CHRIS: Like "Hey guys, that's cool. Like what you did there is really cool.Just want to be sure you remember where we came from." It's really is blast, it's a throw back and it feels modern.
KRISTEN: I don't think that it's a throw back. I think that if anything, it's just good game play and that something that's quality and just plain good stands the test of time.
CHRIS: I guess when I say throw back I just mean a lot of the gameplay stuff is that has been iterated out.
KRISTEN: Yeah, it's kind of gone the way of the dodo bird.
DAVID: So that makes just some great opportunities for satire and we've got those sprinkled throughout the game. In the very beginning there's a key card joke where you think that you're supposed to find a key card for a door, but you actually don't. Now I don't want to give that one away. But there's plenty of other instances where you're fighting along some of the soldiers and they yell out, "Get behind that chest high wall". That's a little specific; but that sounds familiar with current game design.
CHRIS: There's a lot more than you think. It's just like the environments and everything else. There's so many details packed into it. Thank you so much everyone for taking the time we really appreciate it.
ALLEN: I'd like to say to fans that I'm actually now working on the demo so I will get back to that and try to finish it for you guys.
ELIZABETH: This concludes the first episode of the Duke Nukem Forever podcast series. We'll be back next time to give you a history lesson about DNF. Thanks for listening

Freitag, 1. April 2011

What would Duke do

Although it's April 1 2K Games released 2 first gameplay clips of a new series called "what would Duke do"

Enjoy! XD


Holy $%&*#